
Music & Entertainment
- Album rollouts
- Tour & ticket sales
- Merch campaigns
- Global audience building
Performance ads, high-converting websites, and rollouts built around one metric: trackable revenue.
15+ years growing businesses, artists and brands, judged on money in vs money out.
Whether you're filling venues or filling your diary, the approach is the same: set a clear goal, then build whatever gets you there fastest.


Most people don't come to us asking for "a Meta campaign". They want more enquiries, more sales or a sold-out tour. That's the right place to start.
More leads, more booked jobs, more tickets, more sales. We agree one number that matters and what it's worth to you.
Usually that's Facebook and Instagram ads, because that's where we see the best return. If something else works better, a new landing page or a different platform, we use that.
Plain reports: what you spent and what came back. You can check the numbers yourself any time.
Most agency reports are full of clicks, reach and impressions. None of that pays your bills. You get one line: what you spent, and what it brought in.
So… did it make you any money?
£2,000 spent
→ 48 leads
→ 11 booked jobs
Illustrative example. Your report shows your real numbers.
If we're not hitting the goal, we'll tell you straight and pause. No burning budget to look busy.
Everything runs in your account, with full access. Your data and results stay yours.
You stay because it works, not because a contract says so.
From global tours to local trades, the same approach: a clear goal, and results you can count.
£55k in ad spend, over £1.2m in ticket sales directly attributed to the ads.
Read the case study →: Hans Zimmer RevealedGrew from 200-capacity rooms to 2,000–3,000-capacity UK venues in three years, with 30,000 tickets sold on one tour.
Read the case study →: Punk Rock FactoryA long-running Meta lead generation campaign, bringing in 500+ enquiries over years of continuous results.
Read the case study →: Robinson Brickwork & PavingB-Unique Records. Audience and streaming growth for new signings, and singles from acts like Kodaline.
Calum Scott. Lead Digital, 2025–2026: digital growth, creative direction, a new website and an in-house merch store.
Bars and Melody. Digital Coordinator for four and a half years: YouTube growth, touring content and video network deals.
A clear goal, a tight scope, and none of the usual agency habits.
“You deal with me directly. Not an account manager.”
I've spent 15+ years running performance campaigns for major artists, global tours, and local trade businesses, and I've put my own money on the line promoting my own tours. When you work with Ryde, I'm the one building and running your campaigns. If something isn't working, you'll hear it from me first.
Ryde Digital is a South Wales digital growth agency. We run goal-focused ad campaigns (mostly on Facebook and Instagram), build high-converting websites, and run music campaigns for artists and labels. Every campaign is measured in money in vs money out.
No. Tell us what you want more of, whether that's enquiries, sales or tickets, and we'll recommend the fastest way to get there. Often that's ads, sometimes it's a better website first.
It depends on your goals. You pay a management fee plus your direct ad spend, and the ad spend goes straight from your own ad account. Tell us what you want to achieve and we'll give you a clear figure before anything starts.
They stop. If we're not hitting the agreed goal, we'll tell you and pause or change course. There's no lock-in contract and you keep full access to your ad account.
No. We're based in South Wales and happy to meet local clients face to face, but we run campaigns UK-wide and worldwide.
A few quick questions. No sales script and no obligation.